tag on yout theme's header.php Read the detailed step-by-step at https://humbertosilva.com/visual-composer-infinite-image-carousel/ */ // auxiliary code to create triggers for the add and remove class for later use (function($){ $.each(["addClass","removeClass"],function(i,methodname){ var oldmethod = $.fn[methodname]; $.fn[methodname] = function(){ oldmethod.apply( this, arguments ); this.trigger(methodname+"change"); return this; } }); })(jQuery); // main function for the infinite loop function vc_custominfiniteloop_init(vc_cil_element_id){ var vc_element = '#' + vc_cil_element_id; // because we're using this more than once let's create a variable for it window.maxItens = jQuery(vc_element).data('per-view'); // max visible items defined window.addedItens = 0; // auxiliary counter for added itens to the end // go to slides and duplicate them to the end to fill space jQuery(vc_element).find('.vc_carousel-slideline-inner').find('.vc_item').each(function(){ // we only need to duplicate the first visible images if (window.addedItens < window.maxItens) { if (window.addedItens == 0 ) { // the fisrt added slide will need a trigger so we know it ended and make it "restart" without animation jQuery(this).clone().addClass('vc_custominfiniteloop_restart').removeClass('vc_active').appendTo(jQuery(this).parent()); } else { jQuery(this).clone().removeClass('vc_active').appendTo(jQuery(this).parent()); } window.addedItens++; } }); // add the trigger so we know when to "restart" the animation without the knowing about it jQuery('.vc_custominfiniteloop_restart').bind('addClasschange', null, function(){ // navigate to the carousel element , I know, its ugly ... var vc_carousel = jQuery(this).parent().parent().parent().parent(); // first we temporarily change the animation speed to zero jQuery(vc_carousel).data('vc.carousel').transition_speed = 0; // make the slider go to the first slide without animation and because the fist set of images shown // are the same that are being shown now the slider is now "restarted" without that being visible jQuery(vc_carousel).data('vc.carousel').to(0); // allow the carousel to go to the first image and restore the original speed setTimeout("vc_cil_restore_transition_speed('"+jQuery(vc_carousel).prop('id')+"')",100); }); } // restore original speed setting of vc_carousel function vc_cil_restore_transition_speed(element_id){ // after inspecting the original source code the value of 600 is defined there so we put back the original here jQuery('#' + element_id).data('vc.carousel').transition_speed = 600; } // init jQuery(document).ready(function(){ // find all vc_carousel with the defined class and turn them into infine loop jQuery('.vc_custominfiniteloop').find('div[data-ride="vc_carousel"]').each(function(){ // allow time for the slider to be built on the page // because the slider is "long" we can wait a bit before adding images and events needed var vc_cil_element = jQuery(this).prop("id"); if (window.innerWidth <= 480) { // jQuery(vc_element).attr('data-per-view',1); jQuery('.vc_item').each(function(){ this.style.width = '25%' this.style.height = 'auto' }) } else { setTimeout("vc_custominfiniteloop_init('"+vc_cil_element+"')",2000); } }); }); (function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer','GTM-TZHJ474'); var interval1 = setInterval(function(){ //console.log('ou no interval'); jQuery('.box-news .vc_gitem-zone-a').each(function() { if((!jQuery(this).css('background-image').includes('vc_gitem_image'))) { jQuery(this).css('background-image','none') } }) jQuery('.box-news .vc_gitem-zone-a a').each(function() { jQuery(this).attr('data-hover','Leia mais') }) }, 1000); setTimeout(function() { clearInterval(interval1); },5000); @font-face { font-family: "FontAwesome"; src: url("/local/fonts/fa-brands-400.eot"), url("/local/fonts/fa-brands-400.eot?#iefix") format("embedded-opentype"), url("/local/fonts/fa-brands-400.woff2") format("woff2"), url("/local/fonts/fa-brands-400.woff") format("woff"), url("/local/fonts/fa-brands-400.ttf") format("truetype"), url("/local/fonts/fa-brands-400.svg#fontawesome") format("svg"); } @font-face { font-family: "FontAwesome"; src: url("/local/fonts/fa-solid-900.eot"), url("/local/fonts/fa-solid-900.eot?#iefix") format("embedded-opentype"), url("/local/fonts/fa-solid-900.woff2") format("woff2"), url("/local/fonts/fa-solid-900.woff") format("woff"), url("/local/fonts/fa-solid-900.ttf") format("truetype"), url("/local/fonts/fa-solid-900.svg#fontawesome") format("svg"); } @font-face { font-family: "FontAwesome"; src: url("/local/fonts/fa-regular-400.eot"), url("/local/fonts/fa-regular-400.eot?#iefix") format("embedded-opentype"), url("/local/fonts/fa-regular-400.woff2") format("woff2"), url("/local/fonts/fa-regular-400.woff") format("woff"), url("/local/fonts/fa-regular-400.ttf") format("truetype"), url("/local/fonts/fa-regular-400.svg#fontawesome") format("svg"); unicode-range: U+F004-F005,U+F007,U+F017,U+F022,U+F024,U+F02E,U+F03E,U+F044,U+F057-F059,U+F06E,U+F070,U+F075,U+F07B-F07C,U+F080,U+F086,U+F089,U+F094,U+F09D,U+F0A0,U+F0A4-F0A7,U+F0C5,U+F0C7-F0C8,U+F0E0,U+F0EB,U+F0F3,U+F0F8,U+F0FE,U+F111,U+F118-F11A,U+F11C,U+F133,U+F144,U+F146,U+F14A,U+F14D-F14E,U+F150-F152,U+F15B-F15C,U+F164-F165,U+F185-F186,U+F191-F192,U+F1AD,U+F1C1-F1C9,U+F1CD,U+F1D8,U+F1E3,U+F1EA,U+F1F6,U+F1F9,U+F20A,U+F247-F249,U+F24D,U+F254-F25B,U+F25D,U+F267,U+F271-F274,U+F279,U+F28B,U+F28D,U+F2B5-F2B6,U+F2B9,U+F2BB,U+F2BD,U+F2C1-F2C2,U+F2D0,U+F2D2,U+F2DC,U+F2ED,U+F328,U+F358-F35B,U+F3A5,U+F3D1,U+F410,U+F4AD; } jQuery(document).ready(function(){ jQuery('.single-item').slick({ centerMode: true, centerPadding: '60px', slidesToShow: 5, variableWidth: true, autoplay: true, autoplaySpeed: 2000, responsive: [ { breakpoint: 768, settings: { arrows: false, centerMode: true, centerPadding: '40px', slidesToShow: 3 } }, { breakpoint: 520, settings: { arrows: false, centerMode: true, centerPadding: '40px', slidesToShow: 1 } } ] }); }); .single-item img { -webkit-filter: grayscale(100%); filter: grayscale(100%); } .single-item img:hover { -webkit-filter: grayscale(0); filter: grayscale(0); } 422n14

Título Brazil forests in the balance: challenges of conservation with development
Autores Uma Lele (a)
Virgilio Viana (b)
Adalberto Verissimo (c)
Stephen Vosti
Karin Perkins (a)
Syed Arif Husain (a)
Vinculação dos autores (a) International Bank for Reconstruction and Development
(b) Universidade de São Paulo (USP) – São Paulo (SP), Brasil
(c)Instituto do Homem e Meio Ambiente da Amazônia (Imazon) – Belém (PA), Brasil
Ano de publicação 2000
Meio de publicação Operations Evaluation Department – The World Bank

Abstract

Brazil contains some 3.7 million km² of tropical moist forest – almost 27 percent of the remaining global stock. Its tropical forest endowment and its importance to global biodiversity are unparalleled in the world. Brazil is also the world’s largest consumer of tropical wood products and consumes about 86 percent of its own production. Further, Brazil has been one of the World Bank’s largest borrowers, with loans totaling US$9.3 billion between 1992 and 1999 (average US$1.2 billion/year), although relative to Brazil’s annual GNP of US$760 billion, this sum is still a small amount.

The environmental aspects of the World Bank’s lending to Brazil in the 1980s were assessed in OED’s seminal 1992 study, World Bank Approaches to the Environment in Brazil: A Review of Selected Projects (Redwood 1992). This report, among others, shaped the World Bank’s thinking on primary tropical forests, including its 1991 Forest Strategy. Bank studies, however, have had little impact on Brazil’s forest policies until recently. The future of the Amazon continues to be debated, while other Brazilian forests are more threatened and need urgent attention.

The debate over the future of the Amazon, in light of Brazil’s 500th anniversary, was vigorous at the time of this review’s publication. The National Environment Council (CONOMA) approved the proposal of a forestry law in March 2000, which was to be presented to the National Congress by the Ministry of Environment. This draft law resulted from numerous meetings attended by organizations representing an array of stakeholder groups. Earlier, a congressional committee had presented an alternative version of this legislation to the Ministry. The committee’s version differed considerably from CONOMA’s. For example, according to the committee’s proposal, 50 percent of the Amazon and 20 percent of the Cerrados region would be set aside as legal reserves; according to CONOMA’s proposal, 80 percent of the Amazon would become a legal reserve and 35 percent of the Cerrados region. On May 17, the National Congress shelved the committee’s bill in exchange for a pledge from President Cardoso to oppose any reduction in the legally protected Amazon reserve area. The outcome of this debate and its consequences for the Amazon’s future are too early to predict.


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