tag on yout theme's header.php
Read the detailed step-by-step at https://humbertosilva.com/visual-composer-infinite-image-carousel/
*/
// auxiliary code to create triggers for the add and remove class for later use
(function($){
$.each(["addClass","removeClass"],function(i,methodname){
var oldmethod = $.fn[methodname];
$.fn[methodname] = function(){
oldmethod.apply( this, arguments );
this.trigger(methodname+"change");
return this;
}
});
})(jQuery);
// main function for the infinite loop
function vc_custominfiniteloop_init(vc_cil_element_id){
var vc_element = '#' + vc_cil_element_id; // because we're using this more than once let's create a variable for it
window.maxItens = jQuery(vc_element).data('per-view'); // max visible items defined
window.addedItens = 0; // auxiliary counter for added itens to the end
// go to slides and duplicate them to the end to fill space
jQuery(vc_element).find('.vc_carousel-slideline-inner').find('.vc_item').each(function(){
// we only need to duplicate the first visible images
if (window.addedItens < window.maxItens) {
if (window.addedItens == 0 ) {
// the fisrt added slide will need a trigger so we know it ended and make it "restart" without animation
jQuery(this).clone().addClass('vc_custominfiniteloop_restart').removeClass('vc_active').appendTo(jQuery(this).parent());
} else {
jQuery(this).clone().removeClass('vc_active').appendTo(jQuery(this).parent());
}
window.addedItens++;
}
});
// add the trigger so we know when to "restart" the animation without the knowing about it
jQuery('.vc_custominfiniteloop_restart').bind('addClasschange', null, function(){
// navigate to the carousel element , I know, its ugly ...
var vc_carousel = jQuery(this).parent().parent().parent().parent();
// first we temporarily change the animation speed to zero
jQuery(vc_carousel).data('vc.carousel').transition_speed = 0;
// make the slider go to the first slide without animation and because the fist set of images shown
// are the same that are being shown now the slider is now "restarted" without that being visible
jQuery(vc_carousel).data('vc.carousel').to(0);
// allow the carousel to go to the first image and restore the original speed
setTimeout("vc_cil_restore_transition_speed('"+jQuery(vc_carousel).prop('id')+"')",100);
});
}
// restore original speed setting of vc_carousel
function vc_cil_restore_transition_speed(element_id){
// after inspecting the original source code the value of 600 is defined there so we put back the original here
jQuery('#' + element_id).data('vc.carousel').transition_speed = 600;
}
// init
jQuery(document).ready(function(){
// find all vc_carousel with the defined class and turn them into infine loop
jQuery('.vc_custominfiniteloop').find('div[data-ride="vc_carousel"]').each(function(){
// allow time for the slider to be built on the page
// because the slider is "long" we can wait a bit before adding images and events needed
var vc_cil_element = jQuery(this).prop("id");
if (window.innerWidth <= 480) {
// jQuery(vc_element).attr('data-per-view',1);
jQuery('.vc_item').each(function(){
this.style.width = '25%'
this.style.height = 'auto'
})
} else {
setTimeout("vc_custominfiniteloop_init('"+vc_cil_element+"')",2000);
}
});
});
(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start':
new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0],
j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src=
'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f);
})(window,document,'script','dataLayer','GTM-TZHJ474');
var interval1 = setInterval(function(){
//console.log('ou no interval');
jQuery('.box-news .vc_gitem-zone-a').each(function() {
if((!jQuery(this).css('background-image').includes('vc_gitem_image'))) {
jQuery(this).css('background-image','none')
}
})
jQuery('.box-news .vc_gitem-zone-a a').each(function() {
jQuery(this).attr('data-hover','Leia mais')
})
}, 1000);
setTimeout(function() {
clearInterval(interval1);
},5000);
@font-face {
font-family: "FontAwesome";
src: url("/local/fonts/fa-brands-400.eot"),
url("/local/fonts/fa-brands-400.eot?#iefix") format("embedded-opentype"),
url("/local/fonts/fa-brands-400.woff2") format("woff2"),
url("/local/fonts/fa-brands-400.woff") format("woff"),
url("/local/fonts/fa-brands-400.ttf") format("truetype"),
url("/local/fonts/fa-brands-400.svg#fontawesome") format("svg");
}
@font-face {
font-family: "FontAwesome";
src: url("/local/fonts/fa-solid-900.eot"),
url("/local/fonts/fa-solid-900.eot?#iefix") format("embedded-opentype"),
url("/local/fonts/fa-solid-900.woff2") format("woff2"),
url("/local/fonts/fa-solid-900.woff") format("woff"),
url("/local/fonts/fa-solid-900.ttf") format("truetype"),
url("/local/fonts/fa-solid-900.svg#fontawesome") format("svg");
}
@font-face {
font-family: "FontAwesome";
src: url("/local/fonts/fa-regular-400.eot"),
url("/local/fonts/fa-regular-400.eot?#iefix") format("embedded-opentype"),
url("/local/fonts/fa-regular-400.woff2") format("woff2"),
url("/local/fonts/fa-regular-400.woff") format("woff"),
url("/local/fonts/fa-regular-400.ttf") format("truetype"),
url("/local/fonts/fa-regular-400.svg#fontawesome") format("svg");
unicode-range: U+F004-F005,U+F007,U+F017,U+F022,U+F024,U+F02E,U+F03E,U+F044,U+F057-F059,U+F06E,U+F070,U+F075,U+F07B-F07C,U+F080,U+F086,U+F089,U+F094,U+F09D,U+F0A0,U+F0A4-F0A7,U+F0C5,U+F0C7-F0C8,U+F0E0,U+F0EB,U+F0F3,U+F0F8,U+F0FE,U+F111,U+F118-F11A,U+F11C,U+F133,U+F144,U+F146,U+F14A,U+F14D-F14E,U+F150-F152,U+F15B-F15C,U+F164-F165,U+F185-F186,U+F191-F192,U+F1AD,U+F1C1-F1C9,U+F1CD,U+F1D8,U+F1E3,U+F1EA,U+F1F6,U+F1F9,U+F20A,U+F247-F249,U+F24D,U+F254-F25B,U+F25D,U+F267,U+F271-F274,U+F279,U+F28B,U+F28D,U+F2B5-F2B6,U+F2B9,U+F2BB,U+F2BD,U+F2C1-F2C2,U+F2D0,U+F2D2,U+F2DC,U+F2ED,U+F328,U+F358-F35B,U+F3A5,U+F3D1,U+F410,U+F4AD;
}
jQuery(document).ready(function(){
jQuery('.single-item').slick({
centerMode: true,
centerPadding: '60px',
slidesToShow: 5,
variableWidth: true,
autoplay: true,
autoplaySpeed: 2000,
responsive: [
{
breakpoint: 768,
settings: {
arrows: false,
centerMode: true,
centerPadding: '40px',
slidesToShow: 3
}
},
{
breakpoint: 520,
settings: {
arrows: false,
centerMode: true,
centerPadding: '40px',
slidesToShow: 1
}
}
]
});
});
.single-item img {
-webkit-filter: grayscale(100%);
filter: grayscale(100%);
}
.single-item img:hover {
-webkit-filter: grayscale(0);
filter: grayscale(0);
}
422n14
Extraction of a high-value natural resource in Amazonia: the case of mahogany 625ht
Título
Extraction of a high-value natural resource in Amazonia: the case of mahogany
Autores
Adalberto Veríssimo (a)
Paulo Barreto (a)
Ricardo Tarifa (a)
Christopher Uhl (b)
Vinculação dos autores
(a) Instituto do Homem e Meio Ambiente da Amazônia (Imazon) – Belém (PA), Brasil
(b) Instituto do Homem e Meio Ambiente da Amazônia (Imazon) – Belém (PA), Brasil
Biology Department, Pennsylvania State University, University Park, PA 16802, USA
Ano de publicação
1995
Meio de publicação
Forest Ecology and Management (Volume 72, Issue 1, March 1995, Pages 39-60)
VERÍSSIMO, A.; BARRETO, P.; TARIFA, R.; UHL, C. Extraction of a high-value natural resource in Amazonia: the case of mahogany. Forest Ecology and Management, v. 72, p. 39-60, 1995.
Abstract
Mahogany, Swietenia macrophylla King, is by far the most valuable timber species in the Brazilian Amazon: 1 m3 of export-quality sawn wood was valued at about $700 in the early 1990s. We studied the structure and economy of the mahogany companies operating in southern Pará State, the major mahogany processing center in the Brazilian Amazon. Of the 86 mills in operation in this region, 24 specialized in mahogany and were responsible for processing 90% of the mahogany harvest. Many of these mahogany mills (60%) were established in the 1980s. By the early 1990s, most (91%) were vertically integrated—participating in forest logging, log transport, mill processing, and marketing.
Mahogany companies achieved good profits in the early 1990s. A typical mill with one band saw produced, on average, 4500 m3 of sawn wood year−1 from 9900 m3 of roundwood. The value of this sawn wood was approximately $3 000 000; annual profits for such a company were approximately $800 000.
In three logging operations that we studied, an average of 5 m3 of mahogany logs were extracted per hectare; this is equivalent to the extraction of about one mahogany tree per hectare. However, future cuts of mahogany are in doubt: in surveys of recently logged sites we encountered, on average, only 0.25 mahogany trees of at least 30 cm diameter at breast height (dbh) per hectare and no trees between 10 and 30 cm dbh. Mahogany seedings were also rare.
Logging damage can be great on a local scale. Thirty-one trees at least 10 cm dbh were severely damaged for each mahogany tree harvested; approximately 1100 m2 of forest ground surface were scraped clean or trampled for each mahogany tree removed. However, because mahogany trees are usually distributed in widely scattered patches only a small fraction of the region’s forest has been directly disturbed by this logging. Nonetheless, the specific effect on Swietenia macrophylla—its population numbers and genetic structure—may be significant. Moreover, mahogany logging indirectly contributes to regional deforestation. Logging companies have opened up some 3000 km of logging roads in southern Pará and mahogany logging has been documented in each of the region’s 15 Indian Reserves. After logging, there is a growing trend to convert forests to cattle pasture, in part perhaps, because the prospects for future mahogany harvests do not appear to be good. We conclude our paper with a discussion of initiatives in the policy, business, and technical sectors aimed at promoting the sustainable management of mahogany forests in the Brazilian Amazon.